{"version":"1.0","provider_name":"International Research Network on Postcolonial Print Cultures","provider_url":"https:\/\/irn-postcolonial-print-cultures.org","author_name":"IRNPPC admin","author_url":"https:\/\/irn-postcolonial-print-cultures.org\/index.php\/author\/admin6698\/","title":"Abstracts - International Research Network on Postcolonial Print Cultures","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"rClcylPkxg\"><a href=\"https:\/\/irn-postcolonial-print-cultures.org\/index.php\/abstracts\/\">Abstracts<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/irn-postcolonial-print-cultures.org\/index.php\/abstracts\/embed\/#?secret=rClcylPkxg\" width=\"600\" height=\"338\" title=\"&#8220;Abstracts&#8221; &#8212; International Research Network on Postcolonial Print Cultures\" data-secret=\"rClcylPkxg\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/irn-postcolonial-print-cultures.org\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Tanya Agathocleous \u00a0\u201cA Unique Gift to American Art\u201d: Race as Art in Black Internationalist Newspapers This paper examines the way visual culture and performance were used to promote transnational antiracist publishing practices in journals such as Duse Muhamed Ali\u2019s African Times and Orient Review (1912-1920) and Marcus Garvey\u2019s The Negro World (1914-1933). After looking at &hellip; Continue reading &rarr;"}